There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.
Julia Roberts and Sandra Bullock do romantic comedies. I do dark dramas. I do these movies well.
Ideally, that's what you've got in an acting career is an equal number of dramas and comedies and an equal number of small films and big films.
Great horror films don't win Academy Awards.
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.
I'm so beyond genre, drama, comedies, I just want to do really good, interesting projects.
It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.
To make a documentary is one thing, to make a feature film is quite another.
The fans of 'Speed' are very different from the fans of 'To Wong Foo,' which are different from 'Donnie Darko.' Look at the classics I've been in: 'No Country for Old Men'... 'Little Miss Sunshine'... 'Rain Man' was my first big studio movie! How lucky is that?
'Hot Pursuit,' 'Pitch Perfect 2,' 'Trainwreck,' and 'Spy' were all being done in the last year. All four of those movies I just mentioned are not rom-coms: they're all about women doing different things.
I like genre films.
There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.
There's a fine line between lead actor and supporting actor.
I had been making a lot of family oriented movies, which I also like. But I still have a passion for the midnight audience and for midnight movies.
You know, we've got to this place, where you go to a movie for one particular surgical fix. So, it's like, I want the pulse-pounding action, or the insane falling-off-my-seat comedy, or the devastating, heart-breaking drama.
The funny thing about my films is that you can make little piles of them. You could make little piles of the movie that were family movies, you could make a little art movie pile, you could make a little action movie pile.
When you get big special effects pictures, sci-fi and things, there's little or no comedy. Or it's a domestic comedy and there's not one special effect. But very rarely do these things fuse and come out right.
I think Junior is certainly a science fiction premise as is Twins, as is Dave, beyond Ghostbusters.
If you want to laugh, see a comedy. If you want to cry, see a drama, and if you want suspense, see a thriller.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
I haven't done the Star Wars kind of films.
I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their feet.
Sometimes it's hard for me to tell the difference between independent filmmaking and studio filmmaking because all the studios have these little independent satellites. It's interesting.
