You're breaking out of character, again.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
It must always be considered as though spoken by a character in a novel
What I've found I really like about sci-fi is it can look at philosophical questions about humanity but in a different context. It can really make you think. That's what 'Doctor Who' does, even if it's a bit silly some other times.
Reportage is interesting only when placed in a fictional context, but fiction is interesting only if it is validated by a documentary context.
It goes without saying that all of the people, living, dead, and otherwise, in this story are fictional or used in a fictional context. Only the gods are real.
It would have been easier to have a male protagonist, but I didn't want people to assume that Nikki Hill was me in her entirety because a lot of people just don't like me and I don't think they would be interested in reading about me, even in the fictional context.
When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience.
