Fiction Impact Quotes

Right around my first year of college - I remember "Song of Solomon," by Toni Morrison, just moved me tremendously. The power of language and how it can peel back truths, bring things to the surface. So I learned a lot from fiction.

You know, you can be really quite subversive in popular fiction, which is capable of taking on big issues of politics, war, the rise and fall of commercial dynasties.

I read too many romance novels during my formative years. I have a penchant for romantic comedies. I understand why 'Romeo and Juliet' came to such a pass.

If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you.

Short fiction seems more targeted - hand grenades of ideas, if you will. When they work, they hit, they explode, and you never forget them. Long fiction feels more like atmosphere: it's a lot smokier and less defined.

Fiction, on the whole, and if it is any good, tends to be a subversive element in society.

Once you finish a book, it doesn't belong to you anymore. You're giving it to other people. If something in what a writer writes can excite the imagination and the feelings of the reader, then that reader carries it around forever. Nothing is more vivid than good fiction.

People resist and fight against things that are new that they haven't seen before, especially if they make them uncomfortable. But fiction is a safe place to tell these stories and to reach out to people and maybe affect them and make a difference in their lives.

Imagine a crime series in which, every week, there is a white suspect and a black suspect. And every week, lo and behold, the black one turns out to have done it. Unpardonable, of course. And my point is that you could not defend it by saying: "But it's only fiction, only entertainment."

Angela Carter's fiction blew me away and really instilled a passion for writing, bolstered by Vladimir Nabokov. But in general, I can't point to any one thing. I just always loved books and writing.

There is a saying: 'The child is parent to the adult', which means whatever happens to you as a child or teenager affects the adult you become. You are forged in your history. And fiction is an incredibly important force in shaping children, and that's why fiction needs to be diverse.

I have always known that writing fiction had little effect on the world; that if it did, young men would not have gone to war after The Iliad.

Fiction is like that, once it is released into the world: contagious, persistent. Like the contents of Pandora's box, a story that's freely given can't be contained anymore. It becomes infectious, spreading from the person who created it to the person who listens, and passes it on.

It's not irrelevant, those moments of connection, those places where fiction saves your life. It's the most important thing there is.

Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.

We live in a culture that has a real hard time distinguishing fiction from reality. Even when they're told something is fiction.

I can't stomach any kind of notion that serious fiction is good for us, because I don't believe that everything that's wrong with the world has a cure.

If fiction changes things, it's usually because it's a powerful way of exploring social issues. And it helps us to understand people who are different from us.

When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.

When I think about what fiction does morally, I'm happier thinking of a person full of multiplicities - sort of fragmented.

I cry at the end of every book.

I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.

These are all novels, all about people that never existed, the people that read them it makes them unhappy with their own lives. Makes them want to live in other ways they can never really be.