Feeling Driven Quotes

I'm really an artist of feeling. I like creating things when it feels right.

I think, what happened with 'Dead Silence' is that other people told us that we should be doing that and now that I look back, I realize, 'should' is not a word that comes into an art. It's whatever you're feeling like doing.

When you're in touch with spirit, you put feeling over results.

We make decisions based on what we feel in the moment.

When I am convinced of any principle, it is only an idea which strikes more strongly upon me. When I give the preference to one set of arguments above another, I do nothing but decide from my feeling concerning the superiority of their influence.

I'm not a writer that writes every day. I just kind of have ideas. I jot them down when I have them, and when I have enough, I just start. And for me, I start more around noon, and I'm all about feeling. Once there's a theme, I can't not write.

I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.

I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!

Don't use your brain to play it, let your feelings guide your fingers.

If I get in the studio, it's very organic. I like to go off how I feel.

I feel like I pull inspiration, in general, from how I feel on a day.

'Betsy' is one of my favorites because it is the one to which I've imposed the least clear narrative. To me, it's so much more about the feeling - desperation - than any kind of story at all. There's very little imagery or character development; it's just about a deep and desperate search for something.

I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel.

One of the great things about songwrighting; it's not an intellectual experience

For me, when I picture the person I want to end up with, I don't think about what their career is, or what they look like. I picture the feeling I get when I'm with them.

The way I build stuff in my mind, it's sort of like a puzzle for me. I always talk about it like, when I'm writing a scene there's a certain feeling I'm trying to create. I'll have my list of scenes and it's more like feelings, these notes I want to hit.

I definitely think the best songs are written when you feel something strongly.

I create by feeling rather than by intellectualizing.

I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.

I do believe that almost everything I do is based on my feelings, not on my intellect. Though But we won't chase ourselves up the particular sentiment, or we'll get lost.

What I decide to wear literally depends on how I'm feeling that day.

I try to give everyone options because no matter what you think you're going to wear, what you actually put on depends totally on how you feel.

So, to come In with a set routine it's something I've never believed in. It should depend on how you feel, because you play what you feel.

Whatever I think the song sounds like is what I'll name it. It's a feeling thing; it's not logical at all.