Fashion Creativity Quotes

When I am putting looks together, I dare myself to make something work. I always look for the most interesting silhouette or something that's a little off, but I have to figure it out. I have to make it me. I think that's the thrill in fashion.

I'm impressed with how the NBA, as a whole, is dressing so well. Guys are being very creative and having fun with it.

I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.

I've always loved fashion design. I love drawing and creating looks and styling.

My mother, Robin Bell, is the master of balancing the finite line between classic and creative when it comes to fashion. Mom has no qualms about unleashing the pinking shears on a vintage Givenchy dress if it means she'll wear it more once it's sleeveless.

A lot of fashion might seem boring, but it is actually quite fun: the inside, the outside, the silhouette... All the different finishes. That's a skill.

I think that androgyny is so amazing. Men's shows I can look at and say, 'I would wear that.' But there's things I see at Nina Ricci, and I'm like, 'They need to make that in men's,' or 'I want those pants.' Everything is inspiring.

I'm ready to do womenswear. You've always got to be inspired by something new - women have so much more shape and I'm about finding what to engineer around those shapes.

I'd like to cut an attitude into clothes.

Haute Couture should be fun, foolish and almost unwearable.

Fashion design is an important part of the creative industry that means the most to women.

I enjoy seeing how my friends - Proenza Schouler, Zac Posen, Rodarte - use clothes to create their vision and art.

I design some of my own clothes now.

I love modeling, and I missed fashion and my friends and family in fashion and the creativity that I'm able to express through it. I didn't feel I was getting enough of that through my acting.

I try to push design boundaries using new draping and fabric manipulation techniques every time I approach a new design.

I try to keep at least one or two of my firesuit designs every year.

I really believe that fashion, and dressing up, is a great way for guys to express and interact with their creativity.

No more rules, the freedom of dressing. The beauty of mixing vintage clothes with a pair of jeans that I love.

Britain has the most creative, dynamic and nimble fashion industry in the world.

When I was a child, I lived in Morocco, and I would always buy a lot of beads from the markets and to make jewellery for friends. Later, at 18, I would do my own clothes and make my own patterns. When I first came to New York, people just assumed I was a stylist because I was so into fashion.

Designers want their clothes and their shows to be absolutely perfect, exactly as they imagined, and there is a great deal of work that goes into doing that. Some collections can tell a whole story, from the first look to the last. The way the colors and the clothes transition is very interesting.

I invented a sweater so small, so close to the body, that Women's Wear Daily nicknamed it 'The Poor Boy Sweater' and consecrated me queen of knitwear.

Fashion is so subjective, and I think it should be playful.

There is so much talent in British fashion: a real cookie jar of different aesthetics with designers like Mary Katrantzou, Erdem, Christopher Kane, J. W. Anderson, and Simone Rocha.

I'm having so much fun getting to play around with a lot of different looks, a lot of different outfits, a lot of motifs.