I think Calvin is so beautiful. Oscar De La Renta is so classic. I really like the Rodarte girl; they are super-inventive, and they think outside the box. I am all over the place!
I like a sort of androgynous look, but I also love feminine shapes.
I think Calvin [Klein] is a minimalist.
I'm always fetishizing the French woman and French taste and style. My assistant will make fun of me because every time we're picking the direction of a collection, I say the same thing: 'I want it to be really French.'
How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays.
In my opinion, Christian Dior was never, ever theatre.
I like to style myself, as my first job out of university was working at 'Vogue' magazine in NYC, and I grew up attending the collections with my mother, so I have a particular aesthetic, which is classic glamour with a twist.
I don't like a lot of feathers and frills. I like a clean aesthetic, a Calvin Klein aesthetic.
My constant goal is to create clothing that applies to the lifestyle of my customers. My clothing must be aesthetically pleasing in color, texture, and construction. Rapid changes are a part of fashion, and the demands of the industry are that I remain fluid and versatile. But my aesthetic requirements will always be the same.
The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.
I'm attracted to the rag & bone aesthetic - classic and effortless with an edge.
