In the beginning, there was a kind of energy that - like an urgency to express myself, and the songs just couldn't be held in. But I think it changes, the nature of how that - what that energy is. And I need to court the muse in a much more serious way.
In the domain of art there is no light without heat.
In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed.
Creativity is connected to your passion, that light inside you that drives you. . . . Your creativity is not a bad boyfriend. It is a really warm older Hispanic lady who has a beautiful laugh and loves to hug.
Genius is mainly an affair of energy, and poetry is mainly an affair of genius; therefore a nation whose spirit is characterized by energy may well be imminent in poetry - and we have Shakespeare.
The essential thing is to spring forth, to express the bolt of lightning one senses upon contact with a thing. The function of the artist is not to translate an observation but to express the shock of the object on his nature; the shock, with the original reaction.
A visual experience is vitalizing. Whereas to write great poetry, to draw continuously on one's inner life, is not merely exhausting, it is to keep alight a consuming fire.
The energy is important. It's the rebirth of the character. Even more than the sentence itself, it's the energy that has to come through. It's really 'Thank you!'
I think that that spirit, or at least the raucousness of maybe that, is in there. And then yeah, like, along the way, you fine tune it 'cause you're thinking, like, OK, we need to now turn this into a song.
Picasso painted with passion, Mozart composed with it. A child plays with it all day long. You may think you’ve lost your passion, or that you can’t identify it, or that you have so much of it, it threatens to overwhelm you. None of these is true.
One thing you have to have when you act is energy.