Evil Portrayal Quotes

I really don't want to portray the Islamists as simply evil, the way it's often done in the west.

I love Crowley for being an audacious man at certain point in time. I think he's greatly misunderstood. He was a good guy, but he was portrayed as an evil man, and he wasn't.

I watched horror movies way too young and one of my favorite horror movies was The Shining. Jack Nicholson's character in that just bore a hole in my brain, his weird, maniacal controlled stuff. Obviously Mara in Village of the Damned wasn't an alcoholic and didn't have emotional, crazy outbursts. She was very non-emotional. But it was that sort of evil that I was tapping into.

It's fun to play someone who seems evil and to reveal their vulnerabilities.

I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.

The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless.

While I'd like to make movies that are uplifting, there's always that part of you that goes, 'I want to play the evil guy because it's not me.' So anything that is not me is a challenge, and if I rise to the challenge, then I've kind of proved myself.

The problem with movies and books is they make evil look glamorous, exciting, when it's no such thing. It's boring and it's depressing and it's stupid. Criminals are all after cheap thrills and easy money, and when they get them, all they want is more of the same, over and over. They're shallow, empty, boring people who couldn't give you five minutes of interesting conversation if you had the piss-poor luck to be at a party full of them. Maybe some can be monkey-clever, some of the time, but they aren't hardly ever smart.

Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.

Comedy is good at analysing and dealing with evil because it doesn't present it as evil but a collection of banalities.

We like our villains to be evil from head to toe.

Every Harry Potter film features Lord Voldemort, who stereotypes evil. And movies that discriminate against evil have no place on campus, because evil has feelings, too. Terrorists cry during commercials and mad bombers enjoy long walks and campfires, too.

When I start creating a villain, I start liking the villain and so the villain is not really evil.

The English are good at bad guys - the James Bond-style villain, cunning, slow-burning. The Americans are much more obvious about it.

The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.

The only time in my career prior to that I played an evil character was in 'The Twilight Zone'.

You have got to dig deep into your own spectrum while playing a character. If I am playing evil, believe me, I am bringing out the evil from within me.