We've played everywhere since I started The Licks. We've played arenas, clubs, school cafeterias and bowling alleys. It doesn't matter where the venue is; we're gonna bring you the rock!
I just want people to leave a show and go, 'That was the most rockin' show I've ever seen.' I hope people can just roll with me a little bit - you know?
You've got to be like a fan at your show, just wild out. I make eye contact. I get in the crowd and kick it with 'em, stage dive, mosh. I make 'em laugh. I go out there and turn up, have fun. There's no set list; I don't have rehearsals.
I think we have an obligation to put on a fun show and put on a concert that's memorable, that's energetic and that spreads joy and open-mindedness. If being open-minded and joyful is against your political beliefs, then you know, f**k you.
Catch Harry Belafonte. He's got a helluva rhythm section.And so have the Pointer Sisters. And that little guy with Sammy Clayton. He plays the whole show with 40 members.
I'm from the Bronx, so I am looking forward to performing before my homies. I'll keep it live in the house.
Triple 6 Mafia and Mystikal in Atlanta was one of my first shows. I remember how sweaty and smashed up everybody was, and it was so punk rock.
I really love playing live - it's such a gas.
The Darkness at Irving. Hope to have as much fun doing anything ever as these guys have on stage.
It's hard to get people up and out to shows, but 'The Walworth Farce' has masses of energy and will attract a crowd who don't always come to the theatre, which is great.
There's not many crazy guitar instrumentalists out there that put on a crazy monster show.
By now, everyone knows I do not just sing standing in the middle of the stage. I also dance and get others to dance with me.
There's no such thing as standing still and just singing a song. I love jumping into the crowd. I love to dance.
This whole 'Mondo' thing started when I saw Jack White perform at Coachella a couple of years ago. It was like a religious set, man.
There is no such thing as an easy Slipknot show. It doesn't exist. It's tough, but we wouldn't like it if it was easy.
Both songs are really, really intense when it comes to performing them, and very draining at the same time.
That's what music has always been to me: a feel. I've listened to the Stones many times and it still makes me have that feeling of joy every time. They are still around and put on a really exciting show. We also give it 120 percent.
In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.
James Brown's Live at the Apollo is not just a musical whiplash, it's a spiritual cleansing. You can just close your eyes and see him doing the splits, kicking the mic stand and doing a 360.
I like to get the fans off their seats, and hopefully I can do that.