A little manic was what their house ran on.
As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.
I cry all the time. I love to laugh, too. It's important to create an environment for yourself where you feel what you need to and don't hold it in.
When my father would come home from the track after a good day, the whole room would light up; it was fairyland. But when he lost, it was black. In our house, it was always either a wake ... or a wedding.
Well I think that's probably one of a few, where I grew up in the City of New York, it's got a lot of energy, my parents are Irish-American so there was a bit of yelling going on in my house but it seemed normal.
The music is the imperative. It has the upper hand. I think all music, even though it's an abstraction, does motivate a particular meaning. Then it's the job of the musician to honor that meaning and to somehow implement lyrical material that can accommodate that emotional environment.
Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.
The underlying message of the Lancet article is that if you want to understand aggressive behaviour in children, look to the social and emotional environment in which they are growing up, and the values they bring to the viewing experience.
