Electronic Sound Quotes

The first time I saw 'Minecraft,' people wanted to have 8-bit style video game music. But I wanted to go around that and make something organic and partly electronic, partly acoustic, and see if that would be interesting.

My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'

I've been a fan of electronic music for a while.

There's a lot of music that sounds like it's literally computer-generated, totally divorced from a guy sitting down at an instrument.

I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.

Electronics, samples and vocals are all fed into The Log.Os' music, and a fresh take on soul comes out. The band's songs splash around in the same gene pool as neo-soul artists like Erykah Badu, but they reach forward to pull ideas from glitch-hop producers such as Flying Lotus and Prefuse 73.

I wanted to make the kind of records that I heard in the discos that I danced in at that time. Funky, electronic sounds, while the musicians in the band were more rock oriented. This I suppose created the sound we know as Frankie Goes To Hollywood.

I think I was first to do live performances on a modern electronic sound synthesizer.

I really prefer electric music.

I can't get enough of this guy called Baths. He's a total L.A. dude and really young as well. It's super-electronic, but with almost Hall & Oates-style songwriting. Without the context of the production, it could be super-cheesy, but it has amazing harmonies.

I'd call what I do pop music, but it's folky and electronic and it doesn't really sound like much else.

My sound is definitely what I like to call 'e-clectric.'

I have been a huge fan of Major Lazer for a long time and they have done a phenomenal job in redefining dance music across the globe.

I fell in love with electronics, which for me was the terra incognita, because I had never heard such sounds. If you'd asked me 50 years ago, I would have said the future of music is only electronic, but I would have been wrong. I learnt how to produce everything I needed with live instrumentalists, so I don't need electronics.

The advent of electronically synthesized sound after World War II has unquestionably had enormous influence on music in general.

There is nothing wrong in electronic music or synthesised music.

I've always had a deep passion for a lot of early electronic and sampled music.

Most of today's music is done electronically.

I produce electronic kind of music, like EDM kind of stuff.

Pan Sonic sound like they are playing music of the future made with the electric instruments of yesterday.

The computer, the noise of the computer feels like impatience. It's sort of the sound of impatience to me.

Dick Mills was in charge of sound effects and all the rest then, and he put the voice through a ring modulator or whatever gizmos he'd got at the time to make it sound a little more electronic.

Hopefully the music of the future will not be all electronic. There is a place for it if it is used sparingly.

I'm a huge electronic-music fan.

We used to have quirky weird bands that made dance music like the Pet Shop Boys and Depeche Mode and I think people have still got an appetite for that type of music-melody and darkness.