We come from a generation that wanted to make electronic music accepted, at a time [when] it was not.
I grew up in the eighties; that's probably why I like some of the earlier electronic from Kraftwerk to all throughout new wave and things like that.
I really like Deadmau5 and Coyote Kisses. And Foo Fighters too, I like rock.
Amon Tobin has been producing electronic music since the mid-'90s, and was a key figure in the rise of drum-and-bass. He's also written some of the genre's most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
I love pop music. I love drum and bass, Calvin Harris, all these electronic things, but it's nice to have something organic as well.
I don't feel that electronic music has to stand on the back of urban artists or anyone else to be recognized. It's great music.
When I started working on electronic music, that was after the rave period. I haven't even seen that part of it that much.
I produce electronic kind of music, like EDM kind of stuff.
I'm more akin to things like Sigur Ros, Mogwai, possibly. But when I'm making solo electronic music, techno stuff is just the most exciting form of rhythm.
I'm a huge electronic-music fan.
I only discovered electronic music as a teenager and I still love the Prodigy and Massive Attack.
Beyonce's 'Bow Down,' to me, that could be a grime tune. If it's electronic and 140-ish bpm, and people go crazy to it, to me, that's grime.
I do feel like there's a level of ridiculousness going on in electronic music... It's getting borderline absurd out there.
I was crazy about the song "Doot Doot," so I usually love this genre of weird, European electronic.
