To me, Egypt is a wonderful history, a wonderful people, and it's represented through artists like Om Kalthoum, who is considered the fourth pyramid of Egypt. She's a wonderful diva whose voice, for me, is really Egyptian.
By 3000 B.C. the art of Egypt was so ripe and so far advanced that it is surprising to find any student of early culture proposing that the crude contemporary art of the early Babylonians is the product of a civilization earlier than that of the Nile.
Unfortunately, the Egyptians weren't the greatest artists in the world.
We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso)
Egypt is not a country we live in but a country that lives within us.
Ancient art was the tyrant of Egypt, the mistress of Greece and the servant of Rome.
What I like so much about Corot is that he can say everything with a bit of tree; and it was Corot himself that I found [back] in the museum of Naples - in the simplicity of the work of Pompeii and the Egyptians. These priestesses in their silver-grey tunics are just like Corot's nymphs.
I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.
