Dynamic Interaction Quotes

My brother's a blast to direct; he's one of those great characters who brings so much to every scene he's in, and we're pals.

Cognitive and character skills work together as dynamic complements; they are inseparable. Skills beget skills. More motivated children learn more. Those who are more informed usually make wiser decisions.

We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything.

I love working with Erica [Durance]. She's so much fun. And I love how flippant, comfortable, and casual the relationship is. There is so much humor there, and they make each other laugh. It is obvious how much they adore each other. I really like that.

Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.

Onstage, we're very dominant and aggressive. But we laugh and play a lot, too.

It's nice to play a character that has a soulful, dependent, close relationship. It must mean my character is interesting in some way.

So the audience, at times, lets us know actually what is so special about the show that we can't even necessarily design or predict. Which is great. That's what you want art to be. You want it to be alive and to actually have a life in the way it's viewed.

If politics is an art, it is not like sculpture or painting, where one side acts and the other is passive material. It is more like drama without a script, or dance without choreography - in other words, improvisation.

I like to be sort of grounded with Fish. But, at the same time, I think probably what's unique about us is the way other dynamics happen, where I'll play off Trey for awhile. When we start playing a jam, I don't usually know what's going to happen, I don't have a plan.

I think ideas should be flying about and banging into each other. It is a kind of energy. If you occupy static positions, then things sort of ossify.

People are no longer primarily in opposition, nor can they be said to be interacting, rather they are participating in this pool of common meaning which is capable of constant development and change.

...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.

When people are suspicious with you, you start being suspicious with them.

It is always exciting when you find someone who is really enthusiastic about being half of a comedy team.

Reading is not an operation performed on something inert but a relationship entered into with another vital being.

Persuasive communication involves enthusiasm, animation, audience participation, authenticity and spontaneity.

Good talkers are people who use interesting language and have a lot of energy in speech and who also listen.

Your job as a superstar is to manipulate the audience and try to tell your story. I like the dynamic of the audience.

It's very hard to get the dynamics where two people can stimulate each other and be happy.

Love is a dynamic interaction, lived every second of our lives, all of our lives.

Things are going so well. We’re volleying words back and forth. Everything she says, I have something I can say back. We’re sparking, and part of me just wants to sit back and watch. We’re clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that’s as comfortable as it is unrehearsed.

We design our world, while our world acts back on us and designs us.

I bring ideas to set, and I'm more than willing for those to be affected and be malleable based on what the other person gives me. I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.

Me and Mike Myers had great chemistry between us.