I had no balance in my life. I was this one person onstage and this person offstage, who really didn't know much about living.
When you look at Clark Kent when he's working at the Daily Planet, he's a reporter. He doesn't fly through the air in his glasses and his suit.
My character in 'Saaho' is completely contrasting to my character in 'Baahubali,' and I am quite excited about it.
When I'm at home I'm 'Karren Peski Solido mother-of-two' when I'm at work I'm 'Karren Brady don't mess with me.'
I am very diplomatic when I'm in front of the media or when I am going out for promotions and stuff. But, usually, I'm a very straight forward person.
I know I look arrogant, but I'm altogether a different person outside the ring.
The difference between me as Brian Warner or Marilyn Manson is just words. Same personality, sensibility, sense of humor, behavior. He is me.
You don't have a Batman without Bruce Wayne. Batman is the edge or scary image for Bruce to use.
Having a stage name is like having a Superman complex. I go into the telephone booth as Eric Bishop and come out as Jamie Foxx.
I'm not a very serious person. You know how they say that clowns are very funny in public and are really sad at home? I'm really kind of stupid at home and more serious in public.
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
I am a business owner. I'm a teacher. I think Justin's actually kind of plain, kind of nerdy. But when I morph into Alyssa, I'm like this... Well, this creature, everything that Justin couldn't be.
When I became my masked identity I was this incredible little nerd, but in the real world I had to be this tough kid from the neighborhood.
There' s a duality in myself, and it's also what I try and instill in my roles.
I'm dying to fool around with the distance between Selina Kyle and Catwoman. And, you know, the whole double identity thing is endlessly fascinating. I mean, you can always find another riff for it.
I enjoy looking like a tart and thinking like a politician.
I don't wanna abandon my identity as LL Cool J, but at the same time, I had to figure out how to let people know that I'm really serious about making these movies.
This man is frank and earnest with women. In Fresno, he's Frank and in Chicago he's Ernest.
You know how when you're alone with your cat, your cat is kind of silly and goofy and kind of crazy? And as soon as people come over, your cat is like someone you've never met before? You know, poised. That's sort of what it's like working with Jennifer Lopez.
I'm very different on the court than outside.
My mother wouldn't allow me to speak slang when I was growing up. But when I got outside, around my friends, it was 'Yo' and 'That's the joint' and 'Yo, what's up?' So I had my game for my friends and my game for my mom.
I'm a real-life 'Hannah Montana.'
That's what fame does to you. You acquire another self.
I have my character actor side as a kid and my more leading man side. It's all been beneficial.
My background is all comedy. I've been doing improv since I was 17. It's funny, because when I meet people, I'm known as this guy who will punch you in the face or throw you out a window, when I also have a background in comedy.
