Dream Influence Quotes

Quidquid luce fuit tenebris agit: but also the other way around. What we experience in dreams, so long as we experience it frequently, is in the end just as much a part of the total economy of our soul as anything we "really" experience: because of it we are richer or poorer, are sensitive to one need more or less, and are eventually guided a little by our dream-habits in broad daylight and even in the most cheerful moments occupying our waking spirit.

In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.

After I had my dream, I got into numerology. Like my buddy's name is Bill, and I would say, "B is a two, and each I is a nine, and the L's are fours. And that's eight." I would figure out everybody's numerological single-digit number.

Sometimes, I get ideas from dreams. Often, my stories are based on adventures that I, or my friends, have actually lived.

Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.

And religious music and the sort of symbolism of it and everything. But I had this idea. Actually, I sort of dreamt it. I woke up - just before waking up one morning, I sort of dreamt this song or the idea of it and the first little bit of it. And I jumped out of bed and I thought, well, you're still asleep. You're going to forget this in a minute - you know, like you do when you've had a dream.

If you're lucky enough to use something you see in a dream, it is purely original. It's not in the world - it's in your head. I think that is amazing.

Don't get me wrong: I love 'Moana!' But when it gets to the point where you find yourself singing Disney songs in your dreams, you have an issue.

Poetry comes to me out of thin air or out of my unconscious mind. It's sort of the way dreams come to us and the way that we get knowledge from them, through television, old movies, which I watch a lot of. Lines of dialogue suddenly seem to be part of a poem.

Its at night, when perhaps we should be dreaming, that the mind is most clear, that we are most able to hold all our life in the palm of our skull. I dont know if anyone has ever pointed out that great attraction of insomnia before, but it is so; the night seems to release a little more of our vast backward inheritance of instincts and feelings; as with the dawn, a little honey is allowed to ooze between the lips of the sandwich, a little of the stuff of dreams to drip into the waking mind.

It's like a dream sometimes, a song just pops into your head and you can't tell if it's something you heard or it's new and you got to write it down.

I believe the last thing I read at night will likely manifest when I'm sleeping. You become what you think about the most.

There are a lot of actors who are doing dream work where they focus on a role and try to bring it into their dreams. I haven't done that work, but I've always found that when I'm studying for a role, the work I'm doing somehow manages to enter my dreams, no matter what approach I take.

I dream a lot, in colour and in sound and scent. Quite a few of my stories have come from dreams.

When I started writing, I was a great rationalist and believed I was absolutely in control. But the older one gets, the more confused, and for an artist I think that is quite a good thing: you allow in more of your instinctual self; your dreams, fantasies and memories. It's richer, in a way.

People's dreams are made out of what they do all day. The same way a dog that runs after rabbits will dream of rabbits. It's what you do that makes your soul, not the other way around.

A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved.

The things that concern us during the day are going to influence what we experience during the night.

I prefer to write first drafts as soon as possible after waking, so that the oneiric inscape is still present to me.

From a very young age, I would fall off the bed and wake up on the floor because of dreams. I have a memory from the age of four in which I felt God.

It is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now - but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived.

The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.

'American Drifter''s romance was inspired by a dream I had.

When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.

Maybe the body learns from dreams. Maybe the muscles, the neutrons, revitalize.