People who get into animation tend to be kids. We don't have to grow up. But also, animators are great observers, and there's this childlike wonder and interest in the world, the observation of little things that happen in life.
I draw plays every day.
The hardest thing is in terms of the drawing, because, you know, I really have to work to keep my hand fluid, and I've done a lot of recovery, but it's not the same as it once was.
I never wanted to be a writer. I wanted to be a book illustrator. I used to hurry home from school and draw.
I've always had a good handle on drawing children.
Meta-design is much more difficult than design; it's easier to draw something than to explain how to draw it.
The truth is, I don't know how to draw.
Cheryl's artistically inclined. She draws and sketches, but I don't know about acting.
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
It is by developing the individual that he is prepared for that wonderful manifestation of the human intelligence, which drawing constitutes. The ability to see reality in form, in color, in proportion, to be master of the movements of one's own hand - that is what is necessary.
I love to draw and paint. I'm very active in that way, but I'm not very good with the written word, though.
Okay, so, when I was a kid, definitely the drawings and the illustration. Then I stopped in sixth grade or so. And then I started again when I was in my twenties. I really didn't progress since then, so the way I draw is the way I drew in sixth grade.
At 16, I was drawing cartoons, and I wanted to carry on being a cartoonist.
In my youth I dreamed of being an illustrator.
I learned little by little. I learned how to draw. I learned how to tell the difference in the quality of fabrics - the subtle differences. I started with collections for men. So my first collection for women was deeply inspired by male roles.
I have been drawing and creating visual works my entire life, as long as I can remember.
Everybody can draw, in my estimation. If you give a man 50 years, he'll come up with the Mona Lisa.
It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.
All cartoonists are geniuses, but Arnold Roth is especially so.
Growing up, I enjoyed drawing, but it was always in the service of an idea. I drew all the time, and I enjoyed making.
I wish I could draw.
I have three assistants, but there isn't a head assistant. All the important drawings I do myself. Every single character is also done by me.
When I talk to children, I show them a typical drawing I made when I was six and point out to them that when I was their age, I didn't draw any better than any of them.
The truth is, I don't sketch much at all. I have a very visual/spatial brain that retains a lot of information about maps, directions, positioning, and details, so I usually prefer working out those issues on the page itself.
What is drawing? How does one get there? It's working one's way through an invisible iron wall that seems to stand between what one feels and what one can do. How can one get through that wall? - since hammering on it doesn't help at all. In my view, one must undermine the wall and grind through it slowly and patiently.
