I love acting. I'm actually a very emotional actor.
A musical is the same as a burlap sack, I would not want to be in either
I really like to work with theater actors. Theater actors tend to do lots of independent movies, and those are the actors that I like.
Every movement of the theater by a skilful poet is communicated, as it were, by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions which actuate the several personages of the drama.
Opera is complex for those who perform it, but also for those who listen to it. It takes more time, more patience and more spirit of sacrifice. All this is well worth it because opera offers such deep sensations that they will remain in a heart for a lifetime.
Acting is hard work. At times, it's very energizing and enervating. It's childish. It's also responsible. It's illuminating, enriching, joyful, drab. It's bizarre, diabolical. It's exciting.
The drama's laws the drama's patrons give. For we that live to please must please to live.
Paris is the playwright's delight. New York is the home of directors. London, however, is the actor's city, the only one in the world. In London, actors are given their head.
I'm an actor. I'm not a performer. I'm not like a song and dance guy who can take a cane and a hat and do it. I would just you know. That's why I never did commercials.
I would like to play romantic parts.
Opera is everything rolled into one - music, theater, the dance, color and voices and theatrical illusions.
'Crouching Tiger,' of course, was a very dramatic role for me, and the fighting was very serious.
I always thought I would be a marine biologist because I love the sea - but considering the fact that I've always loved acting and the theater, I don't think I ever gave anything else much of a chance.
I think of myself more as a character actor than that ingenue leading lady, who started out something like Michelle Pfeiffer, or Jessica Lange. I'm a bit quirkier than that.
All the difference in the world between the movies and the thrill I get out of a play at the theater. Ay, yes! Like fooling around with paper dolls when you could be playing with a real live baby.
It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.
Focus on the play like it has a history and a life of its own.
I am more comfortable doing a drama.
I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
Is a gay play a play that has sex with other plays?
The play's the thing.
I think opera has gained a kind of glamorous appeal. It's a live performance that aligns all of the arts, and when it is represented in the media, in film in particular, it is presented as something that is really a special event, whether it's a great date or something that's just hugely romantic.
The only thing I won't do is theater.
Luckily, neither in my Tamil nor in my Telugu movies do I have roles that require exaggerated emoting.
I always wanted to do dramas. Ever since I was young, I wanted to be in a role where I could play a prostitute or a drug addict, because it's nice to be able to portray someone who is so far from you, which I love.