Documentary Filming Quotes

My number one rule is to keep that camera rolling. Even if it's shaky or slightly out of focus, I don't give a rip. Even if a big old alligator is chewing me up I want to go down and go, 'Crikey!' just before I die. That would be the ultimate for me.

Well, it wasn't a holiday, but I had expected to do some sightseeing when I went to Haiti to film a series called 'True Horror' for Discovery. Before I arrived, our film crew were kidnapped and held at knifepoint.

I try to keep it as honest and real as I can with television crews following me around.

The only award I've been nominated for is a Scottish BAFTA. A Scottish BAFTA, it's like hearing that the animals have their own Olympics. You hear all this stuff about TV being faked. Of course it's faked. It's all faked. That documentary a couple of weeks ago about tribal warfare among monkeys, that was all filmed in a Yates wine lodge in Dundee. Comic Relief is faked. Everybody in Africa is fine.

Steven's [Sebring] presence was not threatening; he told me that if I never wanted the footage to be seen by anyone, he would give it to me. So I had nothing to lose and everything to gain, and what I gained was his supportive energy and the supportive energy of his wife, who was sometimes the one schlepping the equipment or doing the sound.

It was a nightmare having cameras in the house 10 hours a day for a month.

When we began filming, these people had legs, but as we were filming, they had been injured and they were brought to the hospital to have their legs amputated, and that's where we found them and asked them to come and be part of the film.

My favorite elements of 'Start Talkin'' were those man-on-the-street pieces. I love shooting those. I was born in Manhattan, have lived in or around New York my entire life, and I feel like I'm in my element when doing those pieces.

I would never invite cameras into my life again.

I haven't been manipulated. I did a documentary in prison years ago because I was so f - ed off with those lazy bastards in their bed for 18 hours a day, five dishes a day on a menu to choose from, playing soccer every day, going to the gym, watching movies.

So now what happens is the cameras follow me around and capture exactly what I've been doing since I was a boy. Only now we have a team of, you know, like 73 of us, and it's gone beyond that.

Haiti itself was also photographed, some of the streets, some of the mountains, rivers, streams, etc. were photographed before talking with me about how I felt about Haiti. Then the camera went to our voodoo temple and saw a serious ceremony, a real ceremony.

The last reunion was a bit of a rushed job, we had to do a gig and documentary.

Venezuela is another place I'd like very much to go, which is proving very difficult. I have not been there to make a show and I'd like to, very much.

... with Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child

I'm not sure filming a birth is as hard as actual labour, but it's a really long, arduous day!