Disney Influence Quotes

You never know how things are going to fit. So, you don't count your eggs until they hatch. You can't pre-project that. I mean, this was literally like a childhood fantasy of mine, to be able to work in action. You know, growing up on Disney films like Pocahontas and wanting to enter into that, or Aladdin and how he's fighting - being your own hero, being your own heroine is like every one's dream.

When I was little, I watched a lot of Disney movies - so I always imagined a big fairytale wedding as a kid. But when marriage became real, I felt an intimate wedding with close family and friends would be better.

The thing with 'Peter Pan' is it's been done so well so many times.

The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.

I'm glad Metro Station didn't turn out like Jonas Brothers. They need a Disney movie to become famous. Our songs overpower that.

I love 'Peter Pan' to death. It's one of the most influential pieces of storytelling in my life. It made a huge impact on how I grew up. I love the cartoon. I love the 2003 version.

If you have a kid and you try irony out on them, they don't get it at 7, 8 years old. You can't really hide the Internet from kids. It worries me some particularly because I've done Disney and Pixar stuff.

When I was a freshman in high school, I read a book about the making of Disney's 'Sleeping Beauty' called 'The Art of Animation.' It was this weird revelation for me, because I hadn't considered that people actually get paid to make cartoons.

I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.

I wasn't that much of a Disney buff growing up, but I love the mystical and magical nature of Peter Pan, and I have connected with that character through Owen [Suskind] in making this film ["Life, Animated"].

I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.

If you are going to describe the history of animation, you'd look at the early Disney work, then 'Bugs Bunny,' 'Road Runner' and other Warner Brothers theatrical productions. But when you got to 'Rocky and Bullwinkle,' you'd see they were unique: They assumed you had a brain in your head.

When you're a little girl, you kind of gravitate towards all of the princesses and things.

I'm not one of these Disney haters. I'm really appreciative of the foundation it laid for me.

We are all trained by Disney to believe that the wedding is the finish line, but the wedding is just another starting line. In light of this fact, we should quit the huge, fancy, debt-inducing weddings.

When I was a kid, Disney was one of my gods. I just loved movies like 'Snow White' and 'Pinocchio.'

I just didn't realize the unbelievable impact Disney films had on American society until my assistant coached me on the stories and brought me up to speed.

Pornography takes all the reality out of sex and Disney does that to family life.

In a lot of films, forever it's been boy-meets-girl, and thank God for films like - I know it's going to sound ridiculous - 'Frozen.' I was so excited for my daughter to be able to watch a love story between two sisters instead of some stupid prince.

I wished that, for once, faery tales – real faery tales, not Disney fairy tales – would have a happy ending.

I was six years old when 'The Little Mermaid' was released in 1989 and was immediately struck by the fiery-maned, melodic-voiced, tail-swinging mermaid protagonist. She spoke to me on levels deeper than her father's oceanic kingdom.

All Plutophiles are based in America. If you go to other countries, they have much less of an attachment to either the existence or preservation of Pluto as a planet. Once you investigate that, you find out that Disney's dog Pluto was sketched the same year the cosmic object was discovered. And Pluto was discovered by an American.

When I was on stage in the '50s, it was a glory time, a golden time with Tennessee Williams and Arthur Miller. There was real talent. And now, the theater is a little Disney-fied.

After the song [for sausage Party] was finally done, we didn't have enough time, but we thought it would be fun. It also would've thrown it off a bit, because we really are doing more of an homage to Pixar, and if we filled it with songs, it would've felt more like Disney. And we had an experience, while we were making it, that going too Disney made it too weird.

It was great, because as far as playing such an iconic character that Cinderella is from the Disney world, walking into such a raw and authentic environment - even though it's the real world, and it's Jacinda, it's still Cinderella that's being cursed, and now she's in the real world as Jacinda.