I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.
I'd like to own a movie camera - a proper one, with film, not a digital thing. Celluloid has more character.
I don't think that digital photography is romantic yet. It's not sympathetic the way that film is.
I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.
In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.
I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.
When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.
I only shoot on film. I like the quality, the grain and the imperfections. It offers me something much more rewarding than any digital camera can give me. I believe the extra expense is worth it.
I just think old old movies, they make you concentrate and pay attention so much more. They feel so warm. A lot of modern digital videotape, it's just too bright. Don't know why, it's not warm.
Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.
I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you.
The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.
I don't have to think much when I take a photo on my iPhone. I sort of see the iPhone medium as instant gratification, whereas with film, you have to think about it because it's expensive.
Film still looks way better than digital.
There are many applications for which film is going to be better, for a very long time.
There are a lot of companies - not just Sony and Kodak - that have spent a lot of money trying to make the quality of the digital images comparable with film. But when you're sending these things over the Internet, they don't have to be high quality.
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
