I remember one time I went to Craigslist to find something; that's how bad I wanted it. It was a pair of Raf Simons - this was like 2010. But Raf said he was going to make them for me.
I really like the Chloe Sevigny for Opening Ceremony collection - all of those kind of laser-cut leather dresses.
I'd love to design my own swim collection for them (VS)... Heidi (Klum) does the lipsticks, I would love to one day do the bikinis.
Well, there's lots of different things going on at the moment, I'm in talks with some people from Japan to do something and I'm also talking to Hugo Boss to do a very small line, which I want to keep to just 10-12 pieces, but what I want to do is sit with the designers for a couple of days bashing some stuff out.
I do remember how sexy my collection was after I first got involved with Stephan [Weiss]. That's one thing I don't have in my life now and...if anything, that's one thing I would love.
When I worked with Gianni Versace at the end of his life, I was the person with whom he would confide and say anything. If there was something I didn't like, I would be honest and say, "No, no, no! Do something different."
Brizo has been my single biggest sponsor since I began as a designer. Brizo wanted to be involved in many different areas of design - they had already worked with several architects, and fashion was an area they were interested in moving into.
I think Barbie and I are very similar in many respects. That's why she made such a great muse for the summer Moschino collection.
Fashion today is available to everybody in a way that it's never been before: you've got every designer you've ever heard of working for H& or Target. That's fantastic.
There are so many designers that I love, and I'm so lucky that I get to work with so many of them and sometimes spend time with them. As an actress, you get to go to these events and wear their things - it's fun, but it is what it is. I don't put a lot of time into it, but I respect what they do.
When I was writing my first draft, and feeling grandiose, I e-mailed an artist/clothing designer I know and suggested we collaborate on a fashion line inspired by the outfits my characters wore. I regret that we never did that.
On a red carpet, you really want to feel your best, so to work with a designer who will shape a dress to your figure and take into consideration your opinions is really a blessing.
I wanted the collection for Target to reinterpret all the must-haves of Stella McCartney for winter and to make my designs more accessible to a wider audience in Australia.
I was so fortunate to work closely with the designer Nolan Miller whilst on 'Dynasty' to create the wardrobe for Alexis Carrington Colby, and we had great fun sourcing outfits.
A lot of designers, they did tell me no. They didn't really wanna work with me.
There are a ton of A-list stars I'd love to dress - fashionistas like Keira Knightley and Scarlett Johansson. Also, Cate Blanchett would be fun and fabulous. My picks vary by the day and how I'm feeling. But, as a new, young designer, I'm open to working with everyone!
I love working with a stylist but I also love having personal relationships with designers. A stylist is great for pulling together an entire outfit, accessories included, and for shaking me out of my comfort zone.
Designers become translators for me. That's why I've gone to people like Gareth Pugh and Viktor and Rolf - they are speaking a nuanced language. Fashion says a lot for me.
They [Didier Dubot ] approached me to do a collaboration and I just couldn't say no because I really loved the collaborations they did before.
I think I am obsessed with Lucie Rie. I love the way she collaborated with Miyake, who for me is probably the most important fashion designer of the 20th century.
I have been obsessed with sunglasses for a very, very long time, so it was a natural fit for me to partner with Prive Revaux on my own collection.
Since it's no longer my singular source of income, I've withdrawn from fashion spaces a bit. However, I still have a deep love for fashion and want to continue to work with designers and houses that inspire me - like Rick Owens, whose show I would no doubt walk in again if the opportunity arose.
I definitely want to work on a project with young designers, not just French but international.
I love the fact that H&M has created a new phenomenon in fashion through the pioneering concept of collaborating with high-end designers to create one-off limited-edition capsule collections. I am thrilled that my creations for H&M will be accessible to - and hopefully enjoyed by - so many people around the world.
Katie Grand often comes in from a very different angle than what I've been thinking about. And that really gives it that extra something, because designers can often get stuck in their own view of how the collection can look. I always love the way that she turns it into something else and I kind of let go at that point.
