Every time I do a dance track it's like I'll get a heart attack, because it depends heavily on the video, the hook line, the stars and the promotion. Any of these factors fail, the song fails.
La Flavour's 'Mandolay' is a disco classic - I dare you to sit still while listening to it.
The second single from 'Purpose,' Justin Bieber's fourth studio album, 'Sorry' is an infectious confection - a Dorito for your ears.
My album is called 'Zero to Infinity' and none of my songs are going to have cheap, dirty lyrics. Every song, in a way, is a women empowerment song. Every song, even if it's a dance track, you'll be dancing on it, but it's the right thing.
'Dip it Low' is pretty highly requested for me. I get that a lot.
The Avalanches was a great dance track, I thought, but I always feel a little bit let down when there are just two lines repeated constantly. Over and over. Forever.
Let's be honest, 'Ginza' doesn't really have lyrics to speak of. It's a party track - a party for reggaetoneros to come out of the closet.
Sweetest High' is for the clubs, that's what it was for. It wasn't supposed to be anything serious.
I always wanted to be an actress, but I was embarrassed to say so, and somehow I found myself in the dance track. I'm very competitive, and I wanted to be the best in that field, too, although it didn't really speak to me.
'Blue Monday' is a dance track with a hint of melancholy.
