While dancing you have to be feminine, and performing action requires you to be masculine.
Aside from singing, I'm also a dancer. I've been dancing since I was 8.
I would never do 'Dancing With The Stars,' because it's just not fair. I am too good of a dancer. It would be like LeBron James playing little league basketball.
In the Thirties, when I was in New York, I did the first surrealistic ballet in a show of mine.
It's all so surreal, and I'm living my dream. And you know, principal or not, I'm getting to dance all the roles that I've dreamed of doing.
Yes, anybody can dance. Whether it is right or wrong, that doesn't matter.
'River of Light,' to a dense but powerful score commissioned from Charles Wuorinen and with ravishing lighting by Mark Stanley, has depth and resonance.
'The Dance Scene' is basically the most amazing dance show in the world, and it follows me as a creative director. You see how I maintain that creativity.
I was really creative. I started to dance very young. I loved to dance. I begged my mother to put me into dance classes, and finally, in third grade, she did. Tap and jazz, but not ballet.
I just feel so sexy when I'm salsa dancing and wearing the salsa clothes. I love dancing, and the salsa is just so sexy.
As far as dancing was concerned, I always wanted to do it. To actually be performing was thrilling for me.
Even before I auditioned for 'X Factor' the second time, I was doing a lot of dance music.
While I love dancing, and even acting in 'ABCD' - 'Anybody Can Dance' - was fun, I remain, at heart, a choreographer.
My first dance ever on 'Dancing With the Stars' was to 'Let's Hear it for the Boy.'
Everytime I put a dance video out on social media, my fans love it, and the reaction I get online is mind blowing.
I was using tape loops for dancers and dance production. I had very funky primitive equipment, in fact technology wasn't very good no matter how much money you had.
I had been choreographing and dancing for a good 12 years before I did 'Que Sera Sera' for Boney Kapoor. I did it for two reasons - one, I shared a good rapport with Boney, and the more important reason, Madhuri Dixit.
I have learned a great deal from the theatrical side of Covent Garden. The Paris Opera Ballet is more concerned with technique. It's perfect. It's beautiful. It's well done. But it lacks the theatrical tradition that is so important in England. At the Royal Ballet, absolutely everyone on stage seems to be caught up in the plot.
I don't want to be known as just a 'Dance Moms' competitor. I'd really like to be known for all of Sia's work, too.
The first dance performance I saw was Joffrey Ballet doing 'Billboards' to Prince.
I love ballet, and it's a little boring for me to go to the gym because I'm used to the dancing discipline - it's really hard but much more fun.
I like dancers. I have a thing for girls who dance.
Me being an artist working with dancers and seeing how hard they work, they are the first to show up and the last to leave. They work just as hard, if not harder, than me - and they never get credit for it.
I wouldn't say that I am one of the greatest dancers, but I am really quite good at what I do.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
