Cultural Storytelling Quotes

I get daily e-mails from Afghans who thank me for writing this book [The Kite Runner], as they feel a slice of their story has been told by one of their own. So, for the most part, I have been overwhelmed with the kindness of my fellow Afghans.

Until the lion learns to speak, the tales of hunting will be weak.

Human beings are what I think of as "biomythic" animals: we're controlled largely by the stories we tell. When we get the story wrong, we get out of harmony with the rest of the natural order.

Imagination without culture is crippled and moves slowly; but it can be pure imagination, and rich also, as folk-lore will tell the vainest.

People become the stories they hear and the stories they tell.

I always loved English because whatever human beings are, we are storytellers. It is our stories that give a light to the future. When I went to college I became a history major because history is such a wonderful story of who we think we are. English is much more a story of who we really are.

The truth of the matter was stories was everything and everything was stories. Everybody told stories. It was a way of saying who they were in the world. It was their understanding of themselves. It was letting themselves know how they believed the world worked, the right way and the way that was not so right.

I believe that culture begins in the cradle . . .To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.

Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."

The human world is made of stories, not people.

The Grimm brothers always said that their informants were women, which is possibly not true, women of the people. There is the constant evocation of women's voices, in the collecting and arrangement of these stories, and yet the message of so many of them is incredibly misogynist. I was very puzzled by that, and that book explores that contradiction.

I'm not trying to explain other cultures, or to give a fair and balanced account of a country, or the top ten things you need to know. I'm not trying to spread world peace and understanding. I'm not an advocate or an activist or an educator or a journalist. I'm out there trying to tell stories the best I can.

The loss of the culture is one of the main reasons Ciro Guerra wanted to tell their story.

For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.

The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.

Only - only that, if you believe the tales, it's in the nature of our people to go to war and to kill, just as it is to sing and play and tell stories. Perhaps they are two halves of the same whole.

Human beings have always told their histories and truths through parable and fable. We are inveterate storytellers.

It struck me as I listened to those two men that a truer nomination (name) for our species than Homo sapiens might be Homo narrans, the storytelling person. What differentiates us from animals is the fact that we can listen to other people’s dreams, fears, joys, sorrows, desires and defeats–and they in turn can listen to ours.

As human beings, the closest we can get to truth is through story.

Anthropologists are great at novelistic observations. I would be thrilled if this novel would encourage anthropologists to write what they see in fictional form.

[I have a] fondness for telling stories, like the Arab storytellers on the marketplace. ... I will never grow tired of [telling] stories [and] I make the mistake of thinking that everyone has the same enthusiasm!

We didn't create the culture of film. We certainly market it better than anyone in the world, but film could have happened anywhere. It's not distinctly American, as witnessed by the fact that there are film communities throughout the world that tell stories to their own cultural liking.

When you tell a story you automatically talk about traditions, but they're never separate from the people, the human implications. You're talking about your connections as a human being.

The human race has always defined itself through narration. That isn't going to change just because we've gone electronic. What is changing is that now we're allowing corporations to tell our stories for us.

It is only the story...that saves our progeny from blundering like blind beggars into the spikes of the cactus fence.The story is our escort;without it,we are blind.Does the blind man own his escort?No,neither do we the story;rather,it is the story that owns us.