Cultural Resonance Quotes

I think you need to, as an architect, understand the essence of a place and create a building that feels like it resonates with the culture of a place. So my buildings in India or in Kansas City or in Arkansas or in Singapore, they come out different because the places are so different.

It's hard to make a cultural phenomenon every time.

Understand me, Hollywood miniseries are very popular in England. But British miniseries make a tremendous mark on the national consciousness. They become part of the national culture and mythology... at least for a time.

Artists are the antennae of the race, but the bullet-headed many will never learn to trust the great artists.

The Pole listening to Chopin listens to the voice of his whole race.

Culture is so much faster and so much more effective than anything else. If you go on a march, you march for a couple hours and it might be on the news that night, but if it happens culturally, it happens forever. Everywhere in the world, that TV show is being played. Someone is downloading it illegally. It's blowing someone else's mind. Culture marches so quickly, and it's a language we all understand.

You can make what you want. People care about what the artist has to say, what the sound is, and how it affects them.

It's too easy to do a patriotic-themed show to crawl into people's hearts and minds.

There is incredible power in the arts to inspire and influence.

Fashion and music are the same, because music express its period too.

I like the films that gain awareness at the end - a sort of breakout moment.

It is such a crazy idea that maybe something that I wrote or something that I put on a record would affect people at all.

From the early days of the Raj, Shakespeare had been woven into the fabric of India's education, and my father understood that in a culture rich with storytelling and fantastical tales, Shakespeare's characters and storylines resonated in a powerful way.

I'm not the mixtape guy who's gonna put out a new one every month. I'm gonna allow my albums to marinate and resonate and whatever type of 'ates' they can do. I'm gonna let my music grow on them.

In storytelling you kind of put your nightmares up there, you put your dreams up there and people can see them better because they can stand outside of it and look at it and recognize themselves inside it. So I feel that that in and of itself is a spiritual thing.

My best audience and where I’m happiest is in the gay community. That’s where I feel the most accepted. It’s a community that appreciates pop culture like no other. For me, that’s where I’m home and I always want to come home.

I know when somebody's heard my music. I can hear it in their music.

The most important playwright's gift is to hit your time and speak to your time.

I never, ever update Mark Twain. I don't modernize it. I let the audience update the material. When I go out on stage, I'm trying to make the audience believe they're looking at this guy who died 104 years ago and listening to him and saying to themselves, "Jesus, he could be talking about today." And that's the point.

A novel which survives, which withstands and outlives time, does do something more than merely survive. It does not stand still. It accumulates round itself the understanding of all these persons who bring to it something of their own. It acquires associations, it becomes a form of experience in itself, so that two people who meet can often make friends, find an approach to each other, because of this one great common experience they have had.

From Borges, those wonderful gaucho stories from which I learned that you can be specific as to a time and place and culture and still have the work resonate with the universal themes of love, honor, duty, betrayal, etc. From Amiri Baraka, I learned that all art is political, although I don't write political plays.

The wonderful thing about films is how they can be understood by so many different people on so many different levels.

I think being completely authentic about the time you live in is something that I would view as a career-long objective - to find out what is authentically this moment.

For me, there's a lot of intrinsic mystery and power in folk music, but a lot of people don't perceive that music from around the world as something that fits into their lives or their psyche in any way. So I tried to present it in a different way to give it more of a chance to sink into people's heads.

There's been a vacuum with movies that people can relate to. There's been a paucity of dramas that people can relate to. I think audiences are clamoring to connect - particularly after 9/11 - with things that are genuine and real and I think documentaries are filling that need.