The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
I think there's a sort of, you know, very thin way of reading this that says, well, Barack Obama is biracial thus that gives him some understanding of both white America and black America, but that's not really it.
I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.'
I live with one foot in the sand and one in the snow. There's European egocentricity, and the African opposite. I normally say that my African experience has made me a better European.
For us, we are all very different, our languages are very different, and our societies are very different. But if we could extract ourselves from our point of view and sort of look down at human life the way a biologist looks at other organisms, I think we could see it a different way.
I find it strange that Gisela Gschaider a 1974 immigrant from Germany is on the brexit panel telling us British what we should do .
Turkey is an Eastern country if you come from the West and a Western country if you come from the East
Turkey, a nation about the size of Texas spans two continents, Europe and Asia.
We naturally assume that our mental structures are universal. But I suppose an outside biologist looking at us would see something very different. He would see that, like other organisms, we have a narrow sphere within which we are very good, but that sphere is very limited. And that, in fact, the very achievements we can have within that sphere are related to lack of achievements in other spheres.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
I personally object to the veil on aesthetic as well as other grounds; but I must admit that, for instance in the suburbs of American cities, I have often seen women attired more sloppily than our Persian women normally are.