Creative Solitude Quotes

Popular music is one endless love song that, I suspect, the basically solitary Ella Fitzgerald approached much as the basically solitary Marianne Moore approached poetry: reading it with a certain contempt for it, Moore said, you could find a place in it for the genuine.

On the other hand, I mean, that is what writers have always been supposed to do, was to rely on their own devices and to - I mean, writing is a lonely business.

Writing is a lonely way of life. You shut yourself up in your study and work and work.

I am not a big technology person. I don't go on the Internet really much at all. Drawing is like a zen thing; it's private, which in this day and age is harder to come by.

I love the solitary, romantic idea of writing.

Every other year or so I go to one of those great generous places, the artist retreats. Some of the poems in The Beauty were written at the MacDowell Colony, in New Hampshire, and others at Civitella Ranieri, in Umbria.

My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.

I think there is only one way to write fiction - alone, in a room, without interruption or any distraction.

I think that there are a lot of great studio people but the fewer voices in my head when I'm getting out a draft, the better. I just get it out and then I'll listen to all manner of good ideas. And that's what happens, too, when I'm touring and doing a character on stage.

Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you – as if you haven't been told a million times already – that writing is harder. Lonelier. And nobler and more enriching.

To be an artist, you need to exist in a world of silence.

I've spent my life alone in a room with a typewriter.

'Et Tu, Babe' was born out of my absolute certainty that a writer's life was solitary and insular, and I was happy with that. I love reading and writing; it's my whole life.

Writing, and especially writing a novel, where you get to sit in a room by yourself with either a pen and a paper or a computer for a couple of years, is a very solitary occupation. You can read sales figures - a hundred thousand books sold, half a million books sold - but they are just numbers.

Never, if you can possibly help it, write a novel. It is, in the first place, a thoroughly unsocial act. It makes one obnoxious to one's family and to one's friends. One sits about for many weeks, months, even years, in the worst cases, in a state of stupefaction.

All artists dream of a silence which they must enter, as some creatures return to the sea to spawn.

A writer needs loneliness, and he gets his share of it. He needs love, and he gets shared and also unshared love. He needs friendship. In fact, he needs the universe. To be a writer is, in a sense, to be a day-dreamer - to be living a kind of double life.

Shakespeare, Leonardo da Vinci, Benjamin Franklin and Abraham Lincoln never saw a movie, heard a radio or looked at television. They had 'Loneliness' and knew what to do with it. They were not afraid of being lonely because they knew that was when the creative mood in them would work.

I enjoy the hell out of writing but don't like what follows: promotion and publicity, which I always strive to keep to a minimum, sometimes to my publisher's dismay.

I do love writing but it is a lonely profession. You're lonely and optimistic at the same time.

Yet I'm sure there's something more to be read in a man. People dare not -- they dare not turn the page. The laws of mimicry -- I call them the laws of fear. People are afraid to find themselves alone, and don't find themselves at all. I hate this moral agoraphobia -- it's the worst kind of cowardice. You can't create something without being alone. But who's trying to create here? What seems different in yourself: that's the one rare thing you possess, the one thing which gives each of us his worth; and that's just what we try to suppress. We imitate. And we claim to love life.

Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: "I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going.

I was very happy sitting alone at a dining room table, writing a script.

The Public Theater requires one to be very public, and writing requires one to be very private.