It's hard to beat the visceral high of playing live and creating something spontaneous.
When I'm in the studio, I'm looking for creativity I haven't matched yet, a feeling I haven't felt. It's a high.
I love the rush of being creative. I really think I live for it.
Apart from the highs and lows of when your film releases, there's a strange, addictive quality that making a film has because of all that drama. There's so much that goes on, and we miss it when it's over.
'Straight Outta Compton' is the album I'm least happy with. I threw it together in six weeks so we could have something to sell out of the trunk.
Theatre gives me a different high.
We all want to experience that in our lives - a moment when we're two feet off the ground - and making movies gives you that opportunity. It comes and it goes so fast that it's unreal, but it does happen.
Vine was like no other creative rush I ever had. In minutes, you could conceive an idea, shoot it and send it off to millions.
Somehow, it was so happy a time. Those early days of comedy are when you get addicted to it.
