Creative Isolation Quotes

Painters are not in any way unsociable through pride, but either because they find few pursuits equal to painting, or in order not to corrupt themselves with the useless conversation of idle people, and debase the intellect from the lofty imaginations in which they are always absorbed.

I cannot exist as a solo artist.

Largely this is a class thing - writers tend to be cosseted little middle-class kiddies who think that the world owes them a royalty cheque. But just doing it - being in your room for years on end, locked in your head, alone with invented ghosts - it weakens and softens the body. And I know I can't just live in my head.

A man of genius can hardly be sociable, for what dialogues could indeed be so intelligent and entertaining as his own monologues?

The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at.

Songwriting, I have to take myself away from everybody to do. It's an unsightly act.

I lived in a cabin in the woods in Oregon, and I'd basically given up on the music industry for an indefinite amount of time. And while I was out there, I came up with a very specific vision of what I wanted my music to sound like.

Fiction writers have their own world, and poets have their own world, and literary criticism has sort of passed over into cultural studies in the university, and so on. They seem more disconnected from each other than they did when I first began to write.

The further you go in writing the more alone you are. Most of your best and oldest friends die. Others move away. You do not see them except rarely, but you write and have much the same contact with them as though you were together at the café in the old days. You exchange comic, sometimes cheerfully obscene and irresponsible letters, and it is almost as good as talking. But you are more alone because that is how you must work and the time to work is shorter all the time and if you waste it you feel you have committed a sin for which there is no forgiveness.

If you are a writer you're at home, which means you're out of touch. You have to make excuses to get out there and look at how the world is changing.

How could you not let your life affect your work? That's all it is. Unless you have a very specific, isolated version of what you're doing.

My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.

Genius, whether locked up in a cell or roaming at large, is always solitary.

Very few people can write in a crowd. This is a very solitary occupation. I have known people more talented than me who never made it. And the primary reason was always that they couldn't stand to be alone for several hours a day. Any writer worth anything has mastered the art. The art of solitude.

With film, oftentimes you work in a vacuum and then you get on a high wire and then you try it and then the day's over and that piece of film exists somewhere in a vault for 1000,000 years and that's it.

Nothing's harder than writing. There's no comparison. With directing, you can bounce a lot of ideas around. There's tremendous support - you've got editors and sound mixers. With writing, it's all you, and it's just crippling when people tear up your pages.

I am an obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore.

I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.

I've gotten more and more cut off from the regular comic-book world, from straight comics and stuff like that. Once in a while, I'll take a look at something.

I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.

I want to communicate to the everyday person. I don't want to just roll around in my own avant-garde pool of coolness.

Yes, it was difficult - making 'The Act of Killing' in particular was a very lonely process. No one really believed in it until very close to the end. But it was also a sanctuary. I was working in obscurity.

I always prefer to work in the studio. It isolates people from their environment

That process by which you become a writer is a pretty lonely one. We don't have a group apprenticeship like a violinist might training for an orchestra.