Creativity requires quite a lot of faith - not just in yourself but also in the knowledge that you have the right to proceed, even when you may not know exactly what you're doing.
When I create art, it's like holding hands with God.
My life is art. Its how I express God.
The trouble with many religions, accused of wishful thinking, is that they are not wishful enough. They show a deplorable lack of imagination.
God must not engage in theology. The writer must not destroy by human reasonings the faith that art requires of us.
You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
I have never felt like I was creating anything. For me, writing is like walking through a desert and all at once, poking up through the hardpan, I see the top of a chimney. I know there's a house under there, and I'm pretty sure that I can dig it up if I want. That's how I feel. It's like the stories are already there. What they pay me for is the leap of faith that says: 'If I sit down and do this, everything will come out okay.'
As a filmmaker, you just make the movie you want to make, and you sort of put your faith in the distributor to make sure the right people see it.
I think poetry's always a kind of faith. It is the kind that I have.
I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin' Wolf, and Little Walter. In some way, in some form, my God was always there, but now I have learned to talk to him.
Belief of some sort is the lifeblood of Art.
The figure is still the only thing I have faith in in terms of how much emotion it's charged with and how much subject matter is there.
When I write, I put one foot in front of the other. It's an act of faith. I just follow my heart.
A writer like me must have an utter confidence, an utter faith in his star. It's an almost mystical feeling, a feeling of nothing-can-happen-to me, nothing-can-touch-me.... I once had it. But through a series of blows, many of them my own fault, something happened to that sense of immunity and I lost my grip.
Art requires neither complaisance nor politeness; nothing but faith, faith and freedom.
You're always believing ahead of your evidence. What was the evidence I could write a poem? I just believed it. The most creative thing in us is to believe in a thing.
I love religion. I could make up religions all day. I sort of think that in an ideal world I'd like to be a religion designer. I'd like people come up to me and say, I need a religion. I'd go talk to them for a while, and I'd design a religion for them. That would be a great job. There's a need for people like that. Fortunately, seeing that one can't actually do it, I get paid for sort of making them up anyway.
Therefore art means: you have to believe, to have faith, that is, cultivate vision.
You must believe a poem is a holy thing, a good poem, that is.
I have faith in my art.
Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage.
When I was in New York I heard many people saying that the independent film industry was in big trouble. I was reflecting on this when I came home. Realizing that ever since I started filmmaking, people have being saying that. But somehow it keeps going. Filmmakers keep going. We need stories to make sense of the world and some people like me are driven to tell them. I have faith this will always be possible.
The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
I always had faith in my creative capacity.
It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life.
