The easiest way to stop piracy is not by putting antipiracy technology to work. It's by giving those people a service that's better than what they're receiving from the pirates.
I think copyright has its right to exist, absolutely, and I think that it's up to copyright creators to come up with new solutions that deal with the reality of the world we're living in today.
… the pursuit of civil rights by copyright.
Laws and mechanisms originally meant to enforce copyright, protect children and fight online crime are abused to silence or intimidate political critics.
I'm not a big believer in our copyright laws; I find them way too restrictive.
In practice, the copyright system does a bad job of supporting authors, aside from the most popular ones. Other authors' principal interest is to be better known, so sharing their work benefits them as well as readers.
All over the world copyright holders are trying to limit consumers' rights. We cannot have that.
There is no sense in owning the copyright unless you are going to use it. I don't think anyone wants to hold all of this stuff in a vault and not let anybody have it. It's only worth something once it's popular.
Taking legal action against pirates is a headache for artists like me.
If the contest for an international copyright is to be managed like the annual pig-iron conflict, or the wool fight, ending in a compromise by which every interest gets a certain amount of protection at the expense of the public, it will certainly be of little service either to England, America, or humanity at large. What is needed is a legal protection for property in ideas; in other words, an authors' copyright.
Getting agreement of different nations on copyright protection has always been a problem.
New technologies will always demand and deserve careful navigation and difficult readjustments. But the weakening or de facto abolition of copyright will not merely roil the seas, it will drain them dry. Those who would pirate what you produce have developed an elaborate sophistry to convince you that they are your victim. They aren't. Fight back.
The Digital Millennium Copyright Act indemnifies Internet Service Providers (ISP) such as Harvard from copyright abuses committed over their computer networks.
The crystal ball has a question mark in its center. There are some fundamental choices to be made. We will either choose to continue to wage a hopeless war to preserve the existing architecture for copyright by upping the stakes and using better weapons to make sure that people respect it. If we do this, public support for copyright will continue to weaken, pushing creativity underground and producing a generation that is alienated from the copyright concept.
Vigorous enforcement of copyrights themselves is an important part of the picture. But I don't think that expanding the legal definition of copyright outside of actual copyright infringement is the right move.
The criminalization of file sharing is pathetic. It's so pathetic, it's almost funny. Imagine if the radio people would have lobbied for a federal law enforcement agency to raid all homes for illegal transmissions of moving picture experiments in order to stop the invention of television. It's ludicrous.
Certainly the interest in asserting copyright is a justified one.
In India, most people are not aware or are unconcerned about copyright laws. This has proved disastrous for the music fraternity.
The marketplace can handle this. The laws are there. The courts have shown a consistent ability to find a balance between copyright owners and copyright users.
The problem with copyright enforcement is that when the parameters aren't incredibly well defined, it means big corporations, who have deeper pockets and better lawyers, can bully people.
We need an unambiguous rule - a law - that nobody will step between the publisher and the consumer, full stop.
The rights of copyright holders need to be protected, but some draconian remedies that have been suggested would create more problems than they would solve.
It is impossible to effectively monitor the huge volume of videos that are out there. It is often difficult to find out who owns the copyright on individual videos. Differing copyright laws in different countries also make the whole process harder.
If you don't move to protect copyright, if you don't move to protect our children, it's not going to sit well.
Piracy is a huge, huge issue for all of these major content companies, and everybody has a different way of addressing it.
You can't put the Hollywood sign in a movie without paying them. That is a landmark in L.A. I'm sorry, remove it from our skyline, then. You know? How dare they. That should be public domain, right? But it's privately owned, and they enforce that. They sue people. If you see it in the movie, they've paid for that.