Once I come up with the concept, the rest of the song just comes.
Sometimes you need to transport your idea to an empty landscape and then populate it with fantastic looking people.
I had kicked around the idea for Good Eats when I was directing commercials.
I'm really involved when it comes to creating the video concepts.
I was commissioned in 2003 to create an original show, and began developing 'Upwake.' 'Upwake' tells the story of Zero, a modern-day business man, going to work with his life in a suitcase, stuck between dream and reality and not able to decipher the two. I wanted 'Upwake' to have the same audiovisual qualities as a movie would.
What interests me about thoughts is not the moment when it crystallises into formal ideas but its earlier stages.
I think a conceptual idea comes to me first - something I've been mulling over a lot right before I feel like writing a book - and then the characters start to develop around it.
When I was a student and rushing to finish a project, my gut instinct was usually to keep adding all kinds of features. It's a way of papering over the fact that you haven't quite nailed your concept yet.
I have to sit alone in a room and be alone with my own thoughts. It always starts with an idea, and once the idea grows, I have a concept of what I want to say, and once I go out there and start feeling the energy, that concept grows and becomes whatever it is.
As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.
The idea for a building or an object can come up just as quick, but there is a big difference in process.
The short film project I just finished for W Hotels and Intel, I didn't have my script finished until a few days before we began filming. We edited it very quickly and now it's up online. It was great to conceive an idea and have it premiere just a few weeks later, compared to a feature, which takes a year or more.
Going into 'Details' magazine to pitch concepts for a potential photo shoot was one of the most nerve-wracking things I had ever done. I didn't really know what one did in a pitch, how they were structured, etc., and that freaked me out big time.
I had the idea for the show like a year and a half, two years ago. And it was all about the things that I didn't like about TV. I was trying to create a positive solution for it. And it actually worked.
I created 'America's Next Top Model' one-hundred percent. I was in my kitchen making tea one morning, and I looked out the window, and the idea popped into my head. I wanted it to be 'American Idol' meets 'Ford Supermodel of the Year' meets 'The Real World.'
Ideas are cheap. I have more ideas now than I could ever write up. To my mind, it's the execution that is all-important.
Most obviously it [Doctor Strange] will introduce a new character who will be in play in the universe, but once you have gotten an audience to buy into a new concept then it's fun to keep, to play-off, or spin-off that concept down the line.
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with. My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something. It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
With my business, the way you make big money is you find a great management team and a good concept, and you stick to it, and you add to it over time. In philanthropy, there was more this idea that once an idea was formulated, you moved along.
Ideas come mostly bottoms-up. They come when you have a free flow of ideas and you have people able to combine multiple ideas into one concept... And you've got to have competition, too. You've got to say, 'We're going to have 10 different ideas, nine of them are going to fail, and the one that does the best is going to move forward.'
I'm a builder. I build ideas and give them to the people, and they receive them in such a wonderful way.
Invention consists in the capacity of seizing on the capabilities of a subject, and in the power of moulding and fashioning ideas suggested to it.
As Hollywood knows, I'm full of ideas.
I don't start with an idea or concept in the sense that I flesh out an idea or concept and set it at the center of something.
When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.
