It's gratifying to hear that from people who care about comic art. I never know what to make of it when someone writes to say, "Calvin and Hobbes is the best strip in the paper. I like it even more than Nancy."
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
The movies have made the comic books much more valuable and more respected.
One of my comics is read by more people - around 70,000 - than will see my entire run at Manhattan Theater Club. That puts things in perspective.
I know a lot of people who read 'Sweet Tooth' are the kind of people who don't read a lot of other comics. Whatever it was, I'm just glad it happened.
People have debated both sides of the Liefeld influence, good and bad, and I maintain the sales and the results of that time bear out that people love that stuff.
It's been amazing to watch, because for 'Thor', which was always a mid-selling book, to be in the top ten for every single issue since the reboot is just a great compliment.
I didn't really know X-Men at all before I started. So I'd heard of this comic but I didn't know it was as beloved or as iconic as I have now found out, but I just know fans are going to flip out at this.
