The only way to get better at stand-up is to do loads of gigs, and I don't know. I spread myself pretty thin to get the stage time. I'd love to do more, really.
I have been in the Senate for 30 years practicing comedy.
The Senator performed in several comedy clubs and had his own stand up comedy routine regarding politics.
I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
It takes a while to realize that just because you're a stand-up comedian and you do comedy, you're not going to be good at all comedy.
Everyone who wants to make it in comedy goes to L.A., so a million comedians fight for time on three stages. If you get in there in New York, you're working eight times a night sometimes. Who's going to be funny, the guy who works once a week, or the guy working eight times a night?
Because such a massive part of stand-up is trying and failing first, I'm not putting as much pressure on. Just going out and doing it is enough.
A lot of times, as a clown, you find acting for a reason. It's a way to exercise yourself. If you're funny, you test yourself.
I thought of school as a captive audience. It gave me a chance to work on my material.
Baseball players practice, runners practice, so how can you practice being funny? You get up onstage. You train as an improviser, playing make-believe, using the vernacular of improvisation, saying 'yes and' to other people's ideas, making statements.
My second year of college, I started performing comedy at an open mic. It was good to do open mics with the kids. It's a good, safe spot to start, you know?
Maybe Bill Maher should just practice his monologue a few times before the show, so he wouldn't find it so hilarious. But I kid the asshole.
I'm not a natural comedian, as an artist. I studied comedy growing up. I would watch Richard Pryor, Eddie Murphy and Martin Lawrence, all day.
I don't know how you can do comedy once every two weeks. Ever since I started, if I'm off for three days, I got to learn how to do comedy again.
In theater, one of the biggest problems when you're rehearsing comedy over and over again is that you stop laughing at each other.