You don't realize how beautiful an idea is until you do it with other people. There's this really shimmery, awesome thing when you start finishing a song - where the song just starts writing itself.
I always argued against the auteur theory; films are a collaborative art form. I've had some fantastically good people help me make the movies.
Collaboration is much like a birth. The song that springs forth resembles each one of us to a degree, but it's the kind of thing that would never be born from just one of us sitting down with a guitar.
Most people can't tell now who wrote what. I like that blurring of identities within the band. because it becomes a unified thing that can't be related to other forms of historical poetry.
We tend to see films as artifacts of one mind. The reality of it is, I think, when you come out here and start working, you have to learn pretty quickly that it's a very collaborative process.
My solo music - I get up onstage, I improvise and it's my improvisation. When I get up onstage with Fred Frith and Mike Patton, then we're improvising together. Then it's not my music; it's our music.
I've always endeavored to make movies with my friends.
As funny as it sounds, the best thing I got out of making a solo record was to realize how much I love being in a band.
I learn so much more in an ensemble movie.
