collaboration opportunity Quotes

The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.

Janet Jackson is an icon, I've been honored to meet her a few times, working with her would be amazing.

My manager told me that Cardi B wanted to meet me, and I said, 'You can't be believing everyone who calls you.' But at the end, I met her, and she actually told me that she wanted to collaborate with me eventually.

I'm super into their trench coats. I've been wearing them for a while. Even my mom, she loves them. Definitely working with Burberry is a dope collaboration, just a good opportunity.

I love Ava DuVernay. It would be cool if I got to work with her one day. She seems like a humble person.

I would love to work with Bill Murray. I've always been such a big fan. I think he's obviously a great comedic actor but a really interesting actor.

George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!

I got invited to work on Dre's 'Compton' project.

I have always wanted to work with Judy Dench, and that hasn't happened yet, so that would be fun.

I think it's rare for anyone that a really accomplished, amazing director calls you up and says, 'I want to make a movie around you, and I want it to be this.'

Somebody who really inspired me to wanna start writing songs is The-Dream, so if The-Dream was to hit me up and be like, 'Yo you wanna do this?,' I'd be all for it. I would love that, actually.

Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.

There's a lot of people I'd love to work with at some point, but I think the song has to be the right thing. It has to be the right fit.

Degree actually came to me and asked me if I wanted to be a part of their campaign, and I thought it was just really exciting and important, obviously to my fans, and growing up I had tons of OMG moments. I get to share my own moments through video blogs.

I adore Jane Lynch, so just to get the opportunity to work with her was phenomenal.

To work with one of your heroes is the greatest things you can ever hope for.

I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'

Just to be a part of anything that Queen Latifah is involved in is an honor, because she's such an amazing person and an amazing actress.

When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing.

I would describe Hyperledger as a tremendous opportunity for collaboration for firms that range from gigantic commercial concerns all the way to the smallest, newest startups. It's a community of great intellectual depth and great commercial breadth, and as such, I think the opportunity to be part of that is a unique and enriching experience.

I was desperate to work with Stuart Immonen, who I have talked with for several years about doing a project together. So just the stars aligned. I knew that Stuart had a little break in his schedule, where he would be willing to do a project with me. So this year I've been very lucky.

I've been doing television for quite some time, so Oprah Winfrey and I thought it was a great idea to partner up. I am going to buy my own network and I thought it was a great opportunity for both of us. It's a win-win because I get the opportunity to give her what she needs, which is programming, and at the same time, I get to learn how to run a network.

It's an honor for me to have the opportunity to work with Emilio Estefan.

Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.

When the BBC approached me, it just felt right for me to be a part of an institution like Eurovision.