Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
I grew up with the great Sir Laurence Olivier, and I think it's fair to say that a lot of actors of my age were influenced by his very individual vocal delivery. He was a showman who would always play to the gallery.
Doing classic plays is wonderful. It's a wonderful way of developing style.
I'd like to do a piece of Shakespeare. Any upcoming Shakespeare film. Just a bit to say I did a classic.
I went to drama school. I'm classically trained; I studied Shakespeare, blah blah blah. But I always preferred to do Oscar Wilde, or Shakespeare's comedies over his dramas.
Rattigan wrote some very good plays.
'King Lear,' I've been seeing all my life. I mean, the great actors of my lifetime... to join their company, as it were, by playing a part that's challenged them, is one of the great joys of being an actor who does the classics.
I did lots of Shakespeare and classics, and I just kind of became that person. I was a bit of a snob.
I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.
I never thought of myself doing period. When you're in your acting classes, and you think about the kind of roles you want to play, it's always 'modern relationship drama'-type things.
In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
I want to do theatre and I want to do period drama.
It's funny, oftentimes the really great roles that I enjoy are in classic plays, and there aren't many theatres in New York who will do them, aside from Roundabout.
I wanted to be a serious actress and do all the classics.
There's an honourable tradition of British actors who've gone to Hollywood playing baddies. Part of that is because we grow up with Richard III and Macbeth - we're not afraid of our villains.
There's posh character actors. For God's sake, Olivier was one of the greatest character actors in the world. Hamlet, Shylock, Othello - Othello! Whether you like it or not.
As far as dramas are concerned, it's considered passe for playwrights to turn out anything the average person can understand.
I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like.
Particularly with the plays I choose, they're good parts, and they're parts that have been around long before a bad actor played them, and will be around long after I play them. Part of what I enjoy about the theatre and acting is that sense of history.
I was very surprised that they would ask a foreign actress to be Lady Macbeth, but I felt it was an opportunity that I couldn't miss. Having the opportunity to play Shakespeare in English - that wouldn't come twice.
In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.
