I don't want ever to appear in a film that would embarrass a viewer. A man can take his wife, mother, and his daughter to one of my movies and never be ashamed or embarrassed for going.
I never made a movie I would not take my family to see.
The quality of films out there depends on how much responsibility we're willing to take. I try to play women who are positive and heroic.
To do a movie about someone who actually lived gives you two responsibilities. You have to try to be accurate to the facts of what he did and what he was like as a character. Then, at the same time, you have a responsibility to make a movie that entertains and can get an audience.
I do have a responsibility, but I would make the most boring films in the world if I woke up every morning worrying about my social responsibility.
The problem is, if you make a film that has certain implications in the story, and then you don't follow through, it's a cop out really, isn't it?
I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.
I really believe that, as filmmakers, we have a duty, which is, if we're asking people to pay a premium price for a 3D ticket, we have a duty to deliver a premium product.
It is incredibly daunting to take on a live-action story. I think that it adds a level of complexity to the responsibility that goes beyond what I've experienced on these two films (The Lorax and Horton Hears a Who).