I really love middle-grade. Middle-grade books have a little more of a magical, light-hearted feel. You can be a little bit more quirky, you can have a little more humor. It doesn't get so dark and deep.
Peter, High King of Narnia," said Aslan. "Shut the Door.
I like characters like Ignatius Reilly in 'A Confederacy of Dunces' and Ricky Gervais's character in 'The Office.' They think one thing about themselves, but the truth is as far from that as it can be. So I began to think about how to put that kind of character in a book for kids.
There were no small brown kids as the centre of the children's fiction I grew up with.
I loved Frances Hodgson Burnett, who wrote 'The Little Princess' and 'The Secret Garden.' And I loved the 'Little House on the Prairie' books by Laura Ingalls Wilder.
The first book I really loved was 'Little Women' - I'd have given anything for Beth to have been allowed to live; I remember crying very much over her death, trying to make the words change just by staring at them. I loved 'Anne of Green Gables,' too; 'What Katy Did;' and 'Peter Pan.'
In the 1970s and 1980s there was so little decent fiction for young people, but we're now in a golden age that shows no sign of fading. Philip Pullman, J. K. Rowling, Lemony Snicket are only three of the best known among a good number of equals.
Kids' literature now is dystopian, you know.
My kids' books all have a darkness to them.
Children's books are full of violence.
Mr. McGregor's a nasty piece of work, isn't he? Quite the Darth Vader of children's literature.
I liked lots of 'Doctor Who' books, but my favourite tale was a spooky story about two invalid children - who've never met in the real world - who get trapped in a shared dreamscape when they fall asleep. It's called 'Marianne Dreams' by Catherine Storr.