The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
When we did 'Toy Story,' that was an all-hands-on-deck situation that really was time-intensive.
The Sand Pebbles has always been one of my favorite films, I suppose because its the most difficult film - from a physical and logistical standpoint - that I've ever made.
Creating 'Upgrade' was really something I enjoyed even though it was stressful. I would do it all again.
Of all my dubbing projects, the toughest one has been 'Eega!'
The whole process of making 'Bloody Sunday' was difficult but extraordinary.
15 Storeys High' is the hardest thing I've worked on. 12 hours a day, 7 days a week.
I am now working on the second WWI story and find the challenge marvelous.
Just making a movie the way 'All is Lost' had to be made was a great experience, because it was structured differently than any other film I will make for the rest of my life.
'Paruthiveeran' was a difficult film to work on. It was my first film but a very strong character.
My goal is to make a movie that no one would sort of expect me to make.
People said that 'Fight Club' would be impossible to turn into a movie, but I think David Fincher loved that challenge.
Making a movie with Lindsay Lohan is not for the faint of heart.
I would say that the first 'X-Men' was the hardest. It took us a long time to get it going.
The most outrageous shoe that I had to do was a shoe where the person gave me stones - precious stones - and say that I could do anything with precious stones.
It's a relentless regime with 'Misfits.' I'm actually a little bit nervous of it, because I know it's going to be so tough to film, but we have a good crack at it.
