Cash Money Quotes

What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.

When I got my deal with Cash Money, it changed my whole life.

I don't bash Cash Money, Birdman, or none of them.

Wayne's my man. I'm proud of him, he worked hard. You know with a lot of people, Wayne's been doing this for years. Wayne had a record deal before I had a record deal, you know what I'm saying? Even though Cash Money been our for 12, 13 years so you know, for him to come up for where he came up, it was all them, B.G, Juvie, Turk, everybody. To see him excel from all that and become one of the hottest people in the game, 10, 12 years later, I'm really proud of him. That's my lil' man.

All throughout Cash Money, I never abandoned the SP 1200. At the end of the day, I still use my SP 1200 'cause I like the way the drums sound.

I got started in 1995, working in a group called The Cash Money Click.

'Hood Rich' was super important to Cash Money.

'Chopper City in the Ghetto,' real talk, it's what changed Cash Money from a Bounce label to a Rap label.

We still have money issues. We will always have them as long as Cash Money is selling anything that has Mannie Fresh on it.

I had the most incredible experience of my life being signed to Cash Money.

Basically, coming up, listening to Cash Money and Master P, and my mother would listen to Sade and Erykah Badu, things like that. I didn't like that music back then, but now, I guess, to look for soothing music or tones, you know, I would look to that, and I would love to do something with Sade or Erykah Badu.

I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.

The Cash Money sound pretty much changed the era. It kind of put the business into rap. It was like, 'Get your money, dude. This is a billion dollar business.'

You had Cash Money: that was just the flashy dudes. Like I said, you had different genres of rap, and we were just one of them. So that's how we fit in. What makes it all confusing - and this is where it's the gift and the curse - we never set out for hip-hop to turn into just something flashy. That was just our thing. It wasn't everybody's thing.

I'm just me. I'm that cool girl who - as I like to say, I have that Carson Daly effect, where, if you watched 'TRL,' he was able to do interviews with NSYNC, blend right in, and then he would do interviews with Cash Money and blend in there, and you just naturally liked him.

Cash Money really had no intentions of being a rap label because when it started, it really was based on bounce. It was one bounce song after another. I started to doing bounce songs for them, and they jumped off.

I did all the musicals in my high school; I was in a pop group signed to Cash Money Records in college. Music has always been a really big part of my life.