Cartoon Analysis Quotes

In 'Winnie the Pooh,' a lot of the characters have serious flaws: Pooh is sort of a food addict. Rabbit is OCD, and Owl is a compulsive liar.

If I didn't understand a cartoon in a newspaper, I'd just turn the page.

Cartoons are not real drawings, because they are drawings intended to be read.

I think getting something together to showcase your voice is important. You can also watch cartoons and play games and just kinda listen, and try to see how the design of the character matches to the voice.

I wrote my master's thesis on cartoons!

I was a really big fan of cartoons growing up, and I loved to read too much into them most of the time.

So many cartoons are about real fun, happy-go-lucky simpletons.

I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.

As "Calvin and Hobbes" went on, the writing pushed the drawings into greater complexity. One of the jokes I really like is that the fantasies are drawn more realistically than reality, since that says a lot about what's going on in Calvin's head.

It's hard to describe to people how terrible it was when you could only watch cartoons at a certain time in your life. But no, I would watch all of them - the Warner Bros. cartoons and the Bugs Bunnys and then the Tex Avery stuff. Looking back on it, they were so incredibly subversive for their time. You'd think, "Oh, they're just making jokes and this or that." But when you watch them as an adult, you think, "Oh no, they were talking about some pretty deep stuff."

Cartoonists create so many cartoons on any given topic that we can follow the life cycle of a comic idea and how it evolves over time more quickly than we can with a form like the novel.

I will pick a raft of cartoons. And then later, it'll come time to run this cartoon. And I'll look at it, and I won't quite get it anymore. Because sometimes the grenade goes off in the moment, and then it doesn't repeat down the line.

We have to know cognitively what another mind is thinking and also empathically what they're feeling. And of course, in general, that's always the case, but it's often very generic. Like with Leo Cullum's doctor, it's just the fact that people in general are cruel and insensitive. But in the Barbara Smaller cartoon, we understand it's this particular person or this specific sub-class of person and her particular needs and desires, and that's different than a pun cartoon in which it's just semantic.