Cartel Violence Quotes

Mexico is going to need the United States to cooperate in order to rid itself of the violence and corruption that results from the drug trade.

'Cartel Land' seeks to give voice to the people of Mexico who suffer grievous harm from cartel violence and government corruption.

The army should go back to their assigned duties, and police should take the responsibility of fighting the cartels.

As a border prosecutor, I've put criminals behind bars who worked for some of the most violent cartels in the world.

Well, I think the American people have to understand that the Mexican government is committed, in a very substantial way, to eradicating the effect of the impact of the cartels on Mexico. We have - what are called vetted units down there. Units that have been vetted by our law enforcement people there, the people with whom we deal - primarily.

Great fiction has been written out of the very darkest circumstances of our narco violence, and nothing written in either fiction or nonfiction has penetrated that darkness so memorably - you can even say beautifully, a relentless riveting forensic dark beauty that some readers in fact find themselves unable to endure - as Roberto Bolaño's 2666. Especially in "The Part about the Crimes." But here's the thing: nobody would call 2666 a "narco novel."

I think a great idea would be involving our various military services along the border all the way from San Diego to Houston. We've got military bases all over the country. We can just move some people down there and let those cartels who are doing a lot of hurt to the youth of America, let those cartels fight against the Marine Corps.

We always think about illegal stuff moving through the border south to north, but people forget that most guns - and we're not talking small guns, we're talking heavy weapons - they get to the cartels and create literally small armies out of the cartels.

Narco fiction novels have a reputation, at least here in Mexico among some of the writers I know, of being somewhat rushed productions, usually written in one way or another like crime thrillers, with something cheesily exploitative about them. It feels exploitive - taking this horrible and ongoing tragedy and trying to turn it into something entertaining. Or trying to turn it into something that might earn the writer a reputation of the sort that many writers believe they aspire to. Or earn them money.