Rex Stout's narrative and dialogue could not be improved, and he passes the supreme test of being rereadable. I don't know how many times I have reread the Wolfe stories, but plenty. I know exactly what is coming and how it is all going to end, but it doesn't matter. That's writing.
Remember: A best-selling book usually follows a simple rule, It's a wonderful story, wonderfully told; not, It's a wonderfully told story.
Every once in awhile you find a novel so magical that there is no escaping its spell. The Night Circus is one of these rarities - engrossing, beautifully written and utterly enchanting. If you choose to read just one novel this year, this is it
I am drawn to any story that makes me want to read from one sentence to the next. I have no other criterion.
I try to write in a way where you care deeply what the next paragraph will be. I hear the rhythm of prose and that, to me, distinguishes great writing from ordinary writing. By the way, I don't even claim that I'm good. I claim that I value it.
There are both dull correctness and piquant carelessness; it is needless to say which will command the most readers and have the most influence.
Writing is seduction.
If ever there was a book calculated to make a man in love with its author, this appears to me to be the book.
With fiction, it could be about anything. It just has to be good writing, like Maria Semple's "Where'd You Go, Bernadette," which I read recently. I want to forget I have a book in my hand.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
