Callback Quotes

I had a traditional interview based on a phone call from an agent. He says there's a show and they would like to see you and its called Dallas. With very little knowledge I go over to this meeting at Warner Brothers.

In between shooting for 'Awake,' I was attempting to have my own pilot season. The audition for 'Anger Management' actually came during a week that I was already testing for a couple other shows and we weren't really letting any other shows into the mix.

Auditioning is a lot of fun for me.

You do your best [ on auditions] and sometimes you win 'em over and sometimes you don't.

To book commercials, you do something to get to a callback, and once you get to the callback, you've got three minutes to get the people to want to hang out with you for a day.

I know I wouldn't have made the callback for 'Ma' if my father's house had not burned down because I would have been in finals. My teachers would not have been chill with me leaving in the middle of my Medieval Magic final.

I have to say, Franz in 'Rock of Ages,' I had three final callbacks for that role before I booked it - it was something that I'd dreamed of. I wanted to play that role. I love that show.

When I found out that they were doing a revival of 'Annie,' I decided to audition just for fun and see how it turned out. So I auditioned, and I got a callback after callback after callback. And I just wanted to be a part of the show; I didn't care what role.

I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.

I think my first audition was for a local musical. It was quick. I didn't get the role.

In actuality, there was casting for the show and it was pretty difficult.

Auditioning is an entirely different part of what we do as actors.

We chose the actors thru a series of auditions when we started the show.

It's easier to get an actor when you just ask them to do a day on something rather than have them come in, audition, get picked.

Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.

I don't believe in rituals that produce luck. I believe that a good preparation can raise my chances for a callback. With that, I know what I need to do, so I go in there and do my best.

In a theatrical experience, creating a moment is somewhat easy; you can have a callback to a previous film, and if 10 people laugh, the others in the hall usually join in.