If I try to articulate every little detail in a drawing, it would be like missing the forest for the trees, so it's just about getting the outline of the forest.
Being sensitive to the problem of women is just another symptom of the quality of movies: I don't think you can do anything that's very sensitive. Everything's sort of broad strokes and big gestures - adventure things that boys, guys want to see.
Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
To generalize is to be an idiot.
Effective visions are lived in details, not broad strokes.
In terms of the pilot, you have to introduce a lot of characters in a very short period of time, and you have to paint with slightly broad brush strokes because you just need to give an audience an idea of who these people might be.
I get very caught up in the day-to-day and immersed in the scenes as they unfold. It's harder for me, as I'm filming, to see the larger story.
Once you get the right image the details aren't that important.
Sometimes stereotyping happens not because of any nefarious reasons but rather because people don't know who you are or where you come from, so they go for the broad strokes about you, your culture, your faith, all that.
I like the theatre because you paint with broad strokes. To me the theatre is stretching its definition really far.
Media generally likes to generalise things, as it makes their life easy.
People have these ideas about comic books and their adaptations as flashy and sort of surface-y, broad-strokes-type projects, but they're not, really.
