Book Inspiration Quotes

My mum was never too keen on TV, so we kids all went to the library and got books out. Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.

When I was reading books for 'Seesaw Girl,' I came across several references to the fact that in the 11th and 12th centuries, Korean pottery was considered the finest in the world. I liked that - the idea of a little tiny country being the best at something.

Why did I write 'The Emperor of All Maladies?' A 56-year-old woman with an abdominal sarcoma, having undergone two remissions and a relapse, asked me to describe what she was battling. By the time I had finished answering her, I realised that I had written 600 pages.

I always say your body is the temple of your spirit, why not decorate it? My kids say, no, no, your body is the temple of your spirit, keep it clean. I'm covered in tattoos and I get a tattoo every time I write a book. I get the tattoo from the book.

When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?

Shakespeare, Dickens, Mark Twain, and so many others were my dearest friends and greatest teachers.

When I was starting to write, I was fascinated with 'Knuffle Bunny' by Mo Willems. I remember taking it home and typing it out, trying to figure out how it worked. It's just a classic, with dauntingly few words.

I suppose if I was to have to pick a few, Ursula LeGuin would have to top the list. It was while reading her work that I decided I wanted to be an author.

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.

'The Long Goodbye' is one book I like to read over and over again, and it was an enormous inspiration for 'All The Wrong Questions'.

I always thought it hadn't influenced me very much, but I heard from many people from England that many motives from German fairytales are to be found in my books.

'Dear Mr. Henshaw' came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced, and so I wrote 'Dear Mr. Henshaw,' and it won the Newbery, and I was - it's been very popular.

No book of mine is complete without a dog.

I once knew a house rather like The Land of Smiles - an old house occupied by a varied collection of young people, mainly students. However none of these people were true models for the characters in the book, though their way of life may have been.

I do not mean for one second to suggest that 'White Doves at Morning' was written with a movie deal in mind. Certainly not.

I read a bunch of books about Mengele because he was pretty sick. That was how 'Angel Of Death' came about. I know why people misinterpret it, just because we don't say Nazism is very bad. They get this knee-jerk reaction to it.

When I read 'Room,' I absolutely loved it, and I thought I knew how to make it.

The ideas for my books come about in two ways. There can be an intellectual idea that seems to be the reason for writing the book. [...] The other motive is unconscious. There is something deeply psychological and emotional that draws me to the material in the first place.

I will admit, I once launched myself at Julie Garwood for a hug, hoping some of her magic would rub off on me... and I have fangirl crushes on Susan Elizabeth Phillips, Linda Howard, and Kresley Cole, among many others.

'Blind Curve,' the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did.

I think that my first book - I was trying to write the kind of book I would have loved as a kid. So it's sort of, like, a book inspired by my childhood reading and the passion that I felt about reading when I was a kid.

I like to read and dream and create music that is based on the imagery of text. If you have the combination of a great book and a great filmmaker, what could be better for the composer?

I've never been able to write a book without one very strong character in my rucksack.

I loved Gore Vidal's Burr. That book gave me courage.

Without fail, the first question I am asked at any author event is, 'Are your books based on your real life?'