author's persona Quotes

A novelist is an elephant, but an elephant who must pretend to forget.

Bond was how Fleming saw himself; the sardonic, cruel mouth, the hard, tight skinned face.

One must never judge the writer by the man; but one may fairly judge the man by the writer.

There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.

I know a lot of people who read and think: "George [Saunders] is so much fun." There's no denying you're fun to read, but as a writer I think of [George Saunders] as, in fact, not a fun and freewheeling type but really an obsessive control artist.

I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.

The only way you can truly get to know an author is through the trail of ink he leaves behind him. The person you think you see is only an empty character: truth is always hidden in fiction.

And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.

In my stories, whenever there's somebody wonderful and charming and bright and intelligent, that's me!

I cut an imposing figure. I am large, and I'm tall, and I have tattoos. I am actually really quiet and shy, but maybe people see me, and they don't want to step out of line, or equate disagreement with stepping out of line with a writer they like.

A transition from an author's book to his conversation is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples and turrets of palaces, and imagine it the residence of splendour, grandeur, and magnificence; but when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.

It's great to be able to drive around and spy on people, which I do when I'm writing. People tell me the most personal things about their lives for no reason - on airplanes, everywhere I go. People just blurt out secrets. I'm not sure why. I think that they see in my films that nothing will make me uptight. I'm not going to judge them.

If you know the voice you're writing for it's such a shortcut. It's such a catalyst to creating the kind of energy you want.

Quand on voit le style naturel, on est tout e tonne et ravi, car on s'attendait de voir un auteur, et on trouve un homme. When we see a natural style we are quite amazed and delighted, because we expected to see an author and find a man.

I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. Most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.

There was never a good biography of a good novelist. There couldn't be. He is too many people if he's any good.