Audience Involvement Quotes

My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

With 'Hannibal,' I just really want people to feel something.

When you have a great audience, you can just keep going and finding new things.

I think a show is more of an interacting with fans than you just singing songs.

The film itself should interact with the audience. In the case of 'Queen of Katwe', people are laughing, sobbing and dancing. I am taking them on a ride... It is not like I am asking them for handouts.

I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.

An awful lot of storytelling isn't really about making people understand - it's about making people care.

As filmmakers, we're constantly always looking for something to bring the audience deeper into the reality of the story we're telling.

People love conversation, and movies are conversations, and an audience has to participate; it has to fill in some blanks.

Rock n' roll is a participatory sport.

I refuse to make films where the audience comes for consumption. I make films where you know you are also part of the process.

I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.

By all means be experimental, but let the reader be part of the experiment

I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.

I'm obsessed with media and the way audiences can become creative participants.

I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.

I expect the audience to come up to my level.

Audiences like to be challenged and to be actively involved and try to guess an outcome.

A good movie makes the audience feel like they've journeyed with the characters.

What I have learned from working on those great shows is what is the DNA that makes them so deeply involving and interesting for an audience over a long period of time. So much has to do with character, complexity, and sophistication.

The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.

The audience should feel like voyeurs. Their response is absolutely crucial.

If I watch something, I want to be wondering what is going to happen next; I want to be engaged in a way that makes me ask questions and think about how I can relate myself to the characters and the issues that are there. But if it's just fluff, and everything is spelt out, I find it difficult to concentrate.

It took a while of performing and pushing the boundaries and starting to involve the audience to feel comfortable.

I really like involvement with an audience.